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    <title>SSIR Blog: Arts</title>
    <link>http://www.ssireview.org/blog/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>smgutier.ssir@gmail.com</dc:creator>
    <dc:rights>Copyright 2012</dc:rights>
    <dc:date>2012-02-07T15:30:35+00:00</dc:date>
    <admin:generatorAgent rdf:resource="http://www.pmachine.com/" />
    

    <item>
      <title>How Not to Handle Succession in the Arts</title>
      <link>http://www.ssireview.org/site/how_not_to_handle_succession_in_the_arts</link>
      <description>The most effective bosses wear their power lightly, in cooperation rather than in conflict with the artists they mean to be serving.</description>
      <dc:subject>Global Issues, Arts, Practical Advice,</dc:subject>
      <content:encoded><![CDATA[<p>
	There could be worse ways to handle succession planning than the one chosen by the Miami City Ballet, but it would be hard to think of one. The board of directors, concerned that the ballet company would collapse when its famous artistic director Edward Villella retired, decided to test its own theory by forcing him out before he was ready to leave. Some board members blame the outcome on Mr. Villella, who apparently refused to greet several of them at the company&rsquo;s gala; but it&rsquo;s hard to blame him when one of them called a meeting with him for the purpose of handing him a book on succession planning.</p>
<p>
	The <em>Times</em> article &ldquo;<a href="http://www.nytimes.com/2011/11/14/arts/dance/edward-villella-and-the-miami-city-ballet-board.html?_r=2&amp;nl=todaysheadlines&amp;emc=tha28">Bitter Departure for Miami&rsquo;s Ballet Patriarch</a>&rdquo; reaches for the classic suits-versus-artists narrative, saying that Villella&rsquo;s ouster reflected the Board&rsquo;s determination to place business stability above artistic product; but that&rsquo;s unfair. The Board is responsible for the continued health of the company, and a failure to consider new leadership when the current leader is 75 would be a dereliction of duty. But <a href="http://www.youtube.com/watch?v=1fuDDqU6n4o">what we&rsquo;ve got here is failure to communicate</a>.</p>
<p>
	<a href="http://leisureblogs.chicagotribune.com/the_theater_loop/2010/07/dennis-zacek-victory-gardens-retire.html">As Chicago&rsquo;s Victory Gardens Theatre board learned back in 2000</a>, you don&rsquo;t call in the company&rsquo;s artistic engine and hand him his walking papers&mdash;or even the sort of broad hint inherent in gifting a book about succession planning. You&rsquo;re talking to someone about his life&rsquo;s work and his passion, and you can&rsquo;t talk to him as if he were a CEO who had been recompensed all these years in cash and who expected to be recompensed the same way in retirement. An artistic director who is compelled to retire&mdash;and yes, indeed, some of them should be&mdash;has to be offered a form of compensation congruent with what they&rsquo;ve been receiving up until that moment, something involving artistic control&mdash;even if it&rsquo;s only the control inherent in leading the search for his own successor.</p>
<p>
	And even if the artistic director&rsquo;s retirement creates the opportunity for the board to step into its proper role of leadership&mdash;say, supervising the managing director instead of having the artistic director do so&mdash;that&rsquo;s an opportunity to pursue once the new artistic director begins. From the board&rsquo;s standpoint, having the managing and artistic directors report co-equally is a way to lighten the artistic director&rsquo;s load while assuring that the board itself receives comprehensive information. But from the standpoint of the incumbent artistic director, it&rsquo;s a slap in the face, and suggests that the board wants to interpose a business person (and a businessperson&rsquo;s veto) between the artist and his vision.</p>
<p>
	Of course the board <em>is</em> the boss of the company, including the artistic director. But the most effective bosses wear their power lightly, in cooperation rather than conflict with the artists they mean to be serving. By this measure, the board of the Miami City Ballet just fell on its face.</p>
<p>
	A word to wise arts boards everywhere.</p>
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      <dc:date>2011-11-18T16:00:21+00:00</dc:date>
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    <item>
      <title>No art? No social change. No innovation economy.</title>
      <link>http://www.ssireview.org/site/no_art_no_social_change._no_innovation_economy</link>
      <description>America must invest in art and imaginative capacity.</description>
      <dc:subject>Social Innovations, Nonprofits, Global Issues, Arts, Global Issues, Arts, Big Picture,</dc:subject>
      <content:encoded><![CDATA[<p>
	Welcome to the creative crisis. Welcome to a nation unable to solve its problems, incapable of civil discourse, bogged down in a morass of multicultural conflict, and lagging the global innovation marketplace. Just look forward a generation or two, and this will be America if we do not address the dearth of investment in art and imaginative capacity.</p>
<p>
	As social entrepreneurs, we have not stepped up as champions because we are not seeing the impacts that arts can have on every issue we care about. For too long we have allowed arts and culture to be treated as a nicety&mdash;the first budget cut and the last investment made. In the last 30 years, we have seen our nation&rsquo;s investment in the arts decline as advocates for the arts have scrambled to communicate relevancy through the frames of educational achievement, creative economy investment, and economic development&mdash;these are all true but undersell the power of art.&nbsp;</p>
<p>
	I have had the opportunity to work on poverty alleviation, educational equity, environmental health, and many other issues. Increasingly, I see that solutions to our most critical problems are not to be found in institutional hierarchy or traditional policy and enforcement models, but rather in collective action, dispersed innovation, and shared responsibility. For example: About 35 years ago, we had a water pollution problem. We passed the Clean Water Act and enforced shutting down 100,000 pipes that dumped toxins into our rivers. Today, more river miles are polluted (not from industrial polluters, but from the actions of individual Americans that end up impacting their watersheds).&nbsp;</p>
<p>
	There is no way to monitor and enforce whether every American conserves water, makes alternative transportation choices, etc. However, when people and communities are armed with information, imagination, and the ability to engage with one another, we can change public will, our actions, and impacts. This is true for protecting our drinking water, preventing child abuse, dealing with climate change, and the list goes on.</p>
<p>
	Our economy is moving from being manufacturing-based to being innovation-based. Are we fostering the imaginative capacity to compete? We are faced with cataclysmic food, fuel and water issues if we do not address our reliance on a carbon economy. But are we sparking the creative thinking to find new technologies and new ways to work with nature? We have a dramatically changing population that is shifting the demographics of voters, students, workers, and leaders. Do we have the multicultural humility and the cultural context to leverage this change as an asset?</p>
<p>
	For the last century, financial and institutional capital have been the priority leverage points for addressing society&rsquo;s challenges. I deeply believe that, in the future, human, social, and creative capital will have the greatest impact.</p>
<p>
	And this is where arts and culture are a necessity.</p>
<p>
	There is no discipline that nurtures and sparks the cognitive ability to imagine, and unleashes creativity and innovation, more than arts and culture. There is no approach that breaks barriers, connects across cultural differences, and engages our shared values more than arts and culture. There is no investment that connects us to each other, moves us to action, and strengthens our ability to make collective choices more than arts and culture.</p>
<p>
	To unlock this lever for change, I believe we must do several things:</p>
<ul>
	<li>
		Focus on strategies that foster real collaboration&mdash;finding the best ways to leverage existing structures where they help and work around them where they get in the way, and to change them where they truly impede progress.</li>
	<li>
		Identify the stakeholders who must join, support, and advocate for solutions&mdash;we must reach beyond the &ldquo;choir&rdquo; to deeply understand the values, needs, and motivators of other partners including parents, community-based advocacy, development organizations, business, neighborhood, and civic leaders.</li>
	<li>
		Get out of our own way by identifying solutions (programs, structures, policies, practices, and financial models) that might be outside our comfort zone and require letting go of territory.</li>
	<li>
		Learn from ourselves and others&mdash;a great deal of thinking and work has been done and has changed the positioning, importance, and funding in many other arenas.</li>
	<li>
		Recognize that it will be hard and will take a long-term commitment&mdash;this is not a simple or obvious task. The political challenges, economic constraints, competing interests, priority gaps, and complexities are all real and significant challenges.</li>
	<br />
	And ultimately we must:
	<li>
		Seize the moment&mdash;we are in a time of massive economic challenge, political, and generational change. Historically, the most significant reforms and investments in social capital and game-changing approaches have been accomplished during similar periods of challenge and transformation. We are in a time when policymakers will have to address significant structural changes and where the body politic is in play with pendulum swings left and right that demonstrate a willingness to risk the status quo.</li>
</ul>
<p>
	We need the smarts and the power of the people reading this post to increase access to quality arts for every American. We don&rsquo;t need another cultural study or symposium. What we need is shared leadership that engages the political clout and the power of our voices to shift the normative expectations of our community and to demand art as a necessity, not a nicety.<br />
	<br />
	<br />
	<a href="http://www.metgroup.com/ArtsCommunityCapital" title="Read the original, full article.">Read the original, full article.</a></p>
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      <dc:date>2011-05-26T16:59:17+00:00</dc:date>
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    <item>
      <title>Donna Hill: A Profile in Third Sector Grit</title>
      <link>http://www.ssireview.org/site/donna_hill_a_profile_in_third_sector_grit</link>
      <description>Grit, as defined by Webster&#8217;s Dictionary, is a &#8220;firmness of mind or spirit, unyielding courage in the face of hardship or danger&#8221;.  The nonprofit sector is great for many reasons, but one of the main reasons for its greatness is what I term, &#8220;Third Sector Grit&#8221; and it is lived out every day by those whose many stories tell of unyielding courage in the face of hardship.  It is a quality that is abundant and at times minimized in the face of &#8220;innovation&#8221;.  

Third Sector Grit is most times demonstrated not in the stories of the sector&#8217;s executive leaders; more often it applies to those community champions in each nonprofit who do not have the larger titles but who are individuals that the organization could not move forward without... (continue reading this blog post)</description>
      <dc:subject>Nonprofits, Nonprofit Leadership, Global Issues, Arts,</dc:subject>
      <content:encoded><![CDATA[<p><i>Grit, as defined by Webster&#8217;s Dictionary, is a &#8220;firmness of mind or spirit, unyielding courage in the face of hardship or danger&#8221;.&nbsp; The nonprofit sector is great for many reasons, but one of the main reasons for its greatness is what I term, &#8220;Third Sector Grit&#8221; and it is lived out every day by those whose many stories tell of unyielding courage in the face of hardship.&nbsp; It is a quality that is abundant and at times minimized in the face of &#8220;innovation&#8221;.&nbsp; </p>

<p>Third Sector Grit is most times demonstrated not in the stories of the sector&#8217;s executive leaders; more often it applies to those community champions in each nonprofit who do not have the larger titles but who are individuals that the organization could not move forward without.&nbsp; I would venture to say that the definition of Third Sector Grit are the individuals and stories in each nonprofit that showcase its most valuable asset, the &#8216;firmness of spirit and unyielding courage in the face of the hardship&#8217;directed toward fulfilling its mission.</p>

<p>In this regular series, I will highlight an individual who embodies the notion of Third Sector Grit.&nbsp; In my search, I have received a large number of e-mails from around the world nominating individuals.&nbsp; In our second Third Sector Grit profile, we highlight Donna Hill.&nbsp; Donna Hill is Head of Media Relations for the Performing Arts Division (PAD) of the National Federation of the Blind (NFB), a volunteer position. Her title was insisted upon by the president of NFB and for two years Donna has donated this work from her home in Pennsylvania.&nbsp; </i></p>

<p>Donna Hill is blind as a result of Retinitis Pigmentosa, a degenerative disease which she was born with.&nbsp; Mainstreamed in public school in the 1950&#8217;s, she received little help and was subjected to bullying.&nbsp; Donna says &#8220;teachers would either assume I was faking my vision problem, or they wouldn&#8217;t let me try anything.&#8221;&nbsp; After graduating from college, she taught herself Braille and received her first of four guide dogs from the Guide Dog Foundation for the Blind.</p>

<p>After working as a welfare caseworker in Philadelphia, Donna began pursuing her childhood dream of supporting herself as a musician. Hill, who taught herself to play guitar, had been writing songs since she was fourteen. As regular street performer and her own agent, Donna became a popular Philadelphia area motivational speaker/singer.&nbsp; Donna is also a two-time breast cancer survivor.&nbsp; The financial and energy drain of overcoming this disease delayed her, but now Donna has come back stronger than ever. After moving to rural Susquehanna County, she mastered the use of a computer with a screen reader. </p>

<p>Through Donna&#8217;s efforts, PAD has found outlets to promote its work which have led to donations to the scholarship fund and purchases of &#8220;Sound in Sight&#8221;&mdash;a multi-genre collection of 18 original tracks and covers, donated by blind musicians. This month, PAD will award its first scholarship. Hill is motivated by the continued struggles of blind Americans to gain acceptance and opportunity&mdash;problems that persist despite legislative change, advances in technology and the extraordinary achievements of some blind individuals. Two thirds of working age, blind Americans are currently unemployed and many live in poverty. Only 10 percent of blind kids are taught Braille, despite strong Braille literacy/success links. </p>

<p>Issues affecting blind Americans rarely make mainstream news, and Donna believes helping blind entertainers gain the national spotlight will improve public acceptance and opportunity for all blind Americans.&nbsp; &#8220;There hasn&#8217;t been a new, blind American superstar in decades,&#8221; says Hill, &#8220;And, Helen Keller, who died over fifty years ago, is still the only blind woman most people can name. I&#8217;m hoping our work at PAD will elevate a new generation of blind performers to the national stage.&#8221; </p>

<p>Donna is now 60 and has long since given up on her own music career, but she is dedicated to making the path easier for young blind people. One of her greatest passions is smoothing the path for the &#8220;not-yet-blind.&#8221; Most blind people grew up sighted and carry with them the misunderstandings of the general society&mdash;overcoming the negative beliefs about blindness is the hardest task for the newly blind. If they believed as sighted people that blindness has to be a devastating condition, that they won&#8217;t be able to do the things they love and they won&#8217;t be able to live independently, they succumb to those prejudices, which become self-fulfilling prophecies. Donna is very aware of the increase in blindness, and often points to the CDC&#8217;s 2008 predictions that diabetes-related blindness among working-age Americans will triple by 2050. </p>

<p>Donna continues to have energetic goals. She hopes to find a publisher for her first fantasy novel, which features a 14-year-old blind girl who is a songwriter. It is her hope that in reading an exciting adventure in which a blind girl plays a prominent role, people will be more inclined to view blind people as contributors to society instead of assuming they cannot live independent, productive, and happy lives. &#8220;Unfortunately,&#8221; Donna states, &#8220;Many of us are programmed to believe that the people who overcome obstacles are those who never doubt that they will and are never afraid. Most of us, however, stumble, fall and pick ourselves up again and again on our journey through life&#8217;s road-blocks.&#8221;</p>

<hr>
<p><img src="http://www.ssireview.org/images/blog/John_Brothers_Photo.JPG" alt="image" class="photo" width="209" height="138" /><br />
 <i>John Brothers the Principal of <a href="http://www.cuidiuconsulting.com" title="Cuidiu Consulting">Cuidiu Consulting</a>, a Senior Fellow in executive leadership with the Support Center for Nonprofit Management, and an adjunct professor at New York University&#8217;s Wagner School for Public Service. He is also a Visiting Fellow at the Hauser Center for Nonprofit Organizations at Harvard.</i></p>

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      <dc:date>2010-07-23T16:50:40+00:00</dc:date>
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    <item>
      <title>It&#8217;s Not about Apple &#45; It&#8217;s about Community</title>
      <link>http://www.ssireview.org/site/its_not_about_apple_&#45;_its_about_community</link>
      <description>There&apos;s been some interesting discussion about Apple, donations and This American Life&apos;s iPhone application lately that I want to touch on.  Not because I&apos;m really all that invested in either pro&#45; or anti&#45; Apple camp, and not because I love This American Life (which I do &#45; and yes, I have donated).  It&apos;s because this is another example of how our tools are defining community.  (Last month&apos;s post focused on that topic using Causes, Ideablob and Ning as references for the conversation.)  Let&apos;s start at the beginning...

A recent conversation sparked on the Ars Technica blog focused on the use of push&#45;notifications by the This American Life application on iPhones... (continue reading this blog post)</description>
      <dc:subject>Nonprofits, Fundraising, Business, Socially Responsible Business, Global Issues, Arts,</dc:subject>
      <content:encoded><![CDATA[<p>There&#8217;s been some interesting discussion about Apple, donations and <em>This American Life</em>&#8216;s iPhone application lately that I want to touch on.&nbsp; Not because I&#8217;m really all that invested in either pro- or anti- Apple camp, and not because I love <em>This American Life</em> (which I do - and yes, I have donated).&nbsp; It&#8217;s because this is another example of how our tools are defining community.&nbsp; (<a href="http://www.ssireview.org/opinion/entry/how_our_tools_define_community/">Last month&#8217;s post</a> focused on that topic using Causes, Ideablob and Ning as references for the conversation.)&nbsp; Let&#8217;s start at the beginning&#8230;</p>

<p>A recent conversation sparked on the <a href="http://arstechnica.com/apple/news/2010/05/public-radio-pushing-iphone-donation-requests-ok-or-not.ars">Ars Technica blog focused on the use of push-notifications</a> by the <em>This American Life</em> application on iPhones - the pop-up messages asked users to make a donation to the program as, it is, like other public radio/media, listener supported.&nbsp; Personally, I don&#8217;t feel impassioned by the discussion because 1. notifications, pop-ups, and the ins-and-outs of what works with apps are still being figured out, 2. the user is always in control to either turn off notifications, uninstall apps, or give feedback (all of which contributes to the developers&#8217; learning about what works and what doesn&#8217;t), and 3. public media is all about donations.</p>

<p>A few days ago, <a href="http://arstechnica.com/apple/news/2010/06/nonprofit-developer-apples-no-donation-policy-is-a-cop-out.ars">Jake Shapiro&#8217;s guest post appeared on the Ars Technica blog</a> acknowledging the conversation about push-notifications but diving deeper into the real issues around the This American Life application.&nbsp; This is where things start to spark for me.&nbsp; In Jake&#8217;s post, he notes that Apple is essentially denying nonprofits &#8220;the most powerful direct-payment platform in the mobile marketplace&#8221; by denying access to 1-click payments. Jake suggests:</p><blockquote><p><i>One option would be allowing in-app donations using Apple&#8217;s payment infrastructure, but this immediately runs into the next deal-breaking issue: Apple&#8217;s 30 percent cut is <a href="http://www.huffingtonpost.com/2010/01/14/as-wallets-open-for-haiti_n_423238.html">untenable for charities and nonprofits</a>, and for the donors themselves.</i></p>
</blockquote>
<p>This is where we really start to touch on the issues around the tools we use defining how we can build and connect with our communities. Taking a 30% cut of donations seems incredible.&nbsp; I can&#8217;t imagine organizations or donors feeling comfortable with that deal.&nbsp; As I said before, <a href="http://www.ssireview.org/opinion/entry/how_our_tools_define_community/">&#8220;Market&#8221; does not equal &#8220;Community&#8221;</a>. Here&#8217;s Jake again:</p><blockquote><p><i>I suspect the deeper reasons for Apple&#8217;s uncharitable stance is that the nonprofit and education markets are just that&#8212;&#8220;markets&#8221; that represent hundreds of millions of dollars of annual revenue to Apple in the form of computer, software, iPod, and now iPhone and iPad sales.</i></p>
</blockquote>
<p>Part of what sparked my exploration of this topic a year ago was the way Causes left MySpace, without public notice and leaving organizations unconnected to supporters. Though I would love to see many improvements to Causes, they are getting better about connecting the benefiting organizations with the donors and campaigners supporting them.&nbsp; Apple, though, seems to have a cripplingly closed system; here&#8217;s Jake:</p><blockquote><p><i>The other issue gets to Apple&#8217;s broader competitive approach. If Apple permitted donations by users, it might have to change another restrictive policy: passing certain individual information to app owners/developers and content providers. Currently app developers get zero data from Apple about who buys and uses their apps, just a flat report of total downloads and resulting revenue if it&#8217;s a paid app.</i></p>
</blockquote>
<p>In order for organizations to cultivate community, thank donors and supporters, and encourage deeper engagement, they need to be able to say thank you directly, provide opportunities to donate directly, and capture information, registration or other sign-ups directly.&nbsp; The key here is that the platform (the phone) and the provider (Apple) do not represent hurdles that make that &#8220;direct&#8221; connection and action impossible.</p>

<p>The example of <em>This American Life</em>&#8216;s application shows the crippling power that tools and providers can have on the way organizations want to define what community means and what kind of options for engagement organizations want to provide to their community.&nbsp; It sparked <a href="http://www.bethkanter.org/apple-or-android-which-one-is-more-nonprofit-friendly/">Beth Kanter to question</a> whether Apple or Andriod is more nonprofit friendly.</p>

<p>What does it mean to you? How are your tools defining the way you can work or the way you can engage with your community?</p>

<hr>

<p><img src="http://www.ssireview.org/images/blog/Amy_Sample_Ward_headshot_thumb.JPG" alt="image" class="photo" width="100" height="99" /> <i>Amy Sample Ward&#8217;s passion for nonprofit technology has lead her to involvement with <a href="http://netn.org">NTEN</a>, <a href="http://netsquared">NetSquared</a>, and a host of other organizations. She shares many of her thoughts on nonprofit technology news and evolutions on <a href="http://amysampleward.wordpress.com">her blog</a>.</p>

<p>&nbsp;</p>]]></content:encoded>
      <dc:date>2010-06-11T21:38:50+00:00</dc:date>
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    <item>
      <title>TEDxVolcano: Stranded in London</title>
      <link>http://www.ssireview.org/site/tedxvolcano_stranded_in_london</link>
      <description>Cara Mertes, the director of the Sundance Institute&apos;s documentary film program, called it the first &quot;flash forum&quot; she&apos;d ever attended. Truth is, last night&apos;s TEDxVolcano gathering was the first such instant event that any of us had ever attended &#45;&#45; a little over two hours of short talks, film clips and music that had been pulled together (crowdsourced) spontaneously by blogger Nathaniel Whittemore and several other cause&#45;wired souls for the hundreds of Skoll World Forum attendees stranded in London... (continue reading this blog post)</description>
      <dc:subject>Social Innovations, Global Issues, Environment, Arts,</dc:subject>
      <content:encoded><![CDATA[<p><a href="http://silverdocs.com/bios/mertes-cara/" title="Cara Mertes">Cara Mertes</a>, the director of the <a href="http://www.sundance.org/" title="Sundance Institute's ">Sundance Institute&#8217;s </a>documentary film program, called it the first &#8220;flash forum&#8221; she&#8217;d ever attended. Truth is, last night&#8217;s <a href="http://www.ubervu.com/conversations/tedxvolcano.eventbrite.com/" title="TEDxVolcano">TEDxVolcano</a> gathering was the first such instant event that any of us had ever attended&#8212;a little over two hours of short talks, film clips and music that had been pulled together (crowdsourced) spontaneously by blogger <a href="http://www.facebook.com/nathanielwhittemore" title="Nathaniel Whittemore">Nathaniel Whittemore</a> and several other cause-wired souls for the hundreds of <a href="http://www.skollworldforum.com/" title="Skoll World Forum">Skoll World Forum</a> attendees stranded in London.</p>

<p>Some of the 12 speakers presenting at the TED-style event&#8212;held at The Hub (a co-location work space in King&#8217;s Cross in central London)&#8212;spoke eloquently about the nature and importance of serendipity. Entrepreneur <a href="http://www.xigo.net/index.php?person=270" title="Gary Bolles">Gary Bolles</a> called this &#8220;a moment in time that can be essential for all of us to reconsider how to upgrade the impact we have on the world or how we can spread the influence of what we do in our lifetimes. Perhaps it is an opportunity for all of us to do more.&#8221;</p>

<p>But not all speakers urged a gentle embrace of the circumstances that had brought them (yours truly, included) together again. <a href="http://en.wikipedia.org/wiki/Larry_Brilliant" title="Larry Brilliant">Larry Brilliant</a>, the American physician and director of the <a href="http://www.skollglobalthreats.org/" title="Skoll Global Threats Fund">Skoll Global Threats Fund</a>, said there is a strong relationship between the volcanic eruption in Iceland and climate change&#8212;&#8220;not the kind you think&#8221; but a relationship caused, instead, by the fact that &#8220;we don&#8217;t know (much) about a lot of very important things&#8221; including science.</p>

<p>&#8220;...Right now, the single most important thing the world faces is climate change,&#8221; he said. &#8220;It is the exacerbater of issues of war, water, population growth, pandemics and policy.&#8221; Despite this, he said, &#8220;science is under attack from a new generation of Luddites, of climate deniers ... while the science about volcanoes is uncertain, one this is certain: we need more&#8212;not less - science. We need more and better scientists and we need to fund science better to create an entirely new cadre of scientists and new staff to help us address and tackle the problems of the 21st century.&#8221; Thanks to the rapid evolution of information technology, he added, humans&#8212;for the first time&#8212;can see environmental problems earlier, though &#8220;we still don&#8217;t always know if what we&#8217;re finding is going to be a smaller or a bigger problem&#8221; down the road.</p>

<p>Brilliant suggested that &#8220;maybe there&#8217;s a reason we all are here together tonight. We are going to witness, over the next few days, the interplay between science and policy as every King and President calls the Prime Minister (UK) complaining that their son or daughter is stuck in London; we&#8217;re going to see an interplay of all of those things antecedent to the great global threats that we face. We are going to learn, if we haven&#8217;t started to already, that we are all in this together. There is no rich, no poor in this. We&#8217;re all grounded, equally.&#8221;</p>

<p>Brilliant concluded his remarks with the admonition that &#8220;everything we will learn from science is going to help us. Science is the set of headlights by which we steer this ship. We need to fight for science because we are going to need every tool we can muster to deal with the problems we are going to face in the future.&#8221;</p>

<p><b>Among other highlights of TEDxVolcano:</b></p><ul>
<li><a href="http://www.economist.com/mediadirectory.listing.cfm?JournalistID=64" title="Matthew Bishop">Matthew Bishop</a> of The Economist said Goldman Sachs&#8217; problems and the failings of Wall Street serve as reminders of the complexity of today&#8217;s world. &#8220;The world has changed; a whole paradigm proved to be faulty and the practitioners of it couldn&#8217;t see that the world had changed,&#8221; he said. &#8220;The lesson here, the challenge to this moment, is to think: &#8216;What changes are there that we are missing because we are just carrying on as normal?&#8217;&#8221; Bishop also asked what could be done to improve the quality of public debate over the tough and complex issues facing the world. &#8220;There is a moment now in our history that says if we rise up and think big enough, we can come up with a much more intelligent public discussion,&#8221; he said. &#8220;We are really going to need it, and if we don&#8217;t have it, we&#8217;re all in big trouble.&#8221;

</li><li> Travel news correspondent <a href="http://en.wikipedia.org/wiki/Peter_Greenberg" title="Peter Greenberg">Peter Greenberg</a>, on his way to Heathrow to do a stand-up report for CBS on the continued cancellations of flights, predicted the volcano would have greater impact on the economy than did 9/11. &#8220;People cannot fly but cargo cannot fly, either,&#8221; he said. &#8220;Today, in Kenya, 400 tons of flowers are rotting and have to be thrown away. For every day we are not flying and air cargo is not flying, documents are still not being delivered, medicines are not being delivered, human organs for transplant are not being delivered ... the economic impact is going to be huge.&#8221;

</li><li>Cara Mertes of Sundance spoke about the leveling effect of nature. &#8220;I thought I was clever enough to figure out a way home but none of us were clever enough because we&#8217;re all here,&#8221; she said. &#8220;Money doesn&#8217;t matter, either. You can have a private jet but that just means you might die alone. So now I realize I&#8217;m in an alternate reality. To understand it is to see patterns in things, so I started thinking about what the pattern was here&#8212;and here&#8217;s what I think: the Earth is talking back. And I think the Earth is saying, &#8216;You people are not listening.&#8217; What it is actually saying is that we have a really big problem on our hands with the current levels of human disruption. We are getting a sneak preview of what would happen with climate collapse. It&#8217;s a peaceful sneak preview. Nobody died to tell us what we have to go through, right? But what will happen when serious cataclysmic events start happening across the planet?&#8221; Then, recalling a speech by environmentalist Paul Hawken earlier this week at the Skoll Forum, Mertes said: &#8220;We don&#8217;t live in an historical moment but in a civilization moment. This is a generation that has to decide if we&#8217;re even going to have a civilization.&#8221;

</li><li><a href="http://en.wikipedia.org/wiki/Jeffrey_Skoll" title="Jeff Skoll">Jeff Skoll</a>, founder and CEO of the Skoll Foundation, and <a href="http://www.skollfoundation.org/aboutskoll/bio/osberg.asp" title="Sally Osberg">Sally Osberg</a>, the director of it, both read poems they wrote on the trip down from Oxford. Osberg&#8217;s riffed on Robert Frost&#8217;s Fire and Ice; Skoll&#8217;s had a lighter feel to it, ending with the declaration: &#8220;Damn the volcano; let&#8217;s have a ball.&#8221;

</li><li>A performance by singer <a href="http://en.wikipedia.org/wiki/Susheela_Raman" title="Susheela Raman">Susheela Raman</a>

</li><li>A showing of the short video, <a href="http://www.youtube.com/watch?v=ugV6cLgwomo" title="Pixels">Pixels</a>, by Patrick Jean
</ul>
<p>Watch this site for further coverage, as long as I&#8217;m still in London.</p>

<hr>

<p><img src="http://www.ssireview.org/images/blog/MarciaStepanekHeadShot.jpg" alt="image" class="photo" width="121" height="121" />Marcia Stepanek is Founding Editor-in-Chief and President, News and Information, for <i><a href="http://contributemedia.com" title="Contribute Media">Contribute Media</a></i>, a New York-based magazine, Web site, and conference series about the new people and ideas of giving. She is the publisher of <i><a href="http://causeglobal.blogspot.com" title="Cause Global">Cause Global</a></i>, an acclaimed new blog about the use of digital media for social change. She also serves as moderator and producer of <i>New Conversations for Change</i>, Contribute&#8217;s forum series highlighting social entrepreneurs and new trends in philanthropy.</p>]]></content:encoded>
      <dc:date>2010-04-20T00:00:31+00:00</dc:date>
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    <item>
      <title>Bay Area Social Entrepreneurs Talk Funding</title>
      <link>http://www.ssireview.org/site/bay_area_social_entrepreneurs_talk_funding</link>
      <description>Bay Area nonprofit leaders sounded pretty optimistic and focused on growth at a breakfast gathering I attended last week, entitled &#8220;Conversations with Social Entrepreneurs: 2010 and Beyond,&#8221; sponsored by Commongood Careers and Building Movement Project. At the beginning of the three&#45;hour gathering at a downtown hotel, James Weinberg, founder and CEO of Commongood Careers, had the group of about 50 give a two&#45;word description of how they were feeling&#8230; (continue reading this blog post)</description>
      <dc:subject>Philanthropy, Foundations, Nonprofits, Nonprofit Leadership, Global Issues, Arts,</dc:subject>
      <content:encoded><![CDATA[<p>Bay Area nonprofit leaders sounded pretty optimistic and focused on growth at a breakfast gathering I attended last week, entitled &#8220;Conversations with Social Entrepreneurs: 2010 and Beyond,&#8221; sponsored by <a href="http://www.cgcareers.org " title="Commongood Careers">Commongood Careers</a> and <a href="http://www.buildingmovement.org" title="Building Movement Project">Building Movement Project</a>. At the beginning of the three-hour gathering at a downtown hotel, James Weinberg, founder and CEO of Commongood Careers, had the group of about 50 give a two-word description of how they were feeling. Attendees, who were mostly from education and youth development nonprofits, shouted out adjectives along the lines of &#8220;cautiously optimistic,&#8221; &#8220;growing,&#8221; &#8220;opportunities ahead,&#8221; and &#8220;pumped!&#8221;&nbsp; The spirit in the room was energetic.</p>

<p>Kudos to Commongood Careers and Building Movement Project for bringing social entrepreneurs together for a chance to network; with job demands it&#8217;s always tough to take the time to get together.&nbsp;  These two organizations are holding four such breakfast events. The other three have already taken place in New York City, Boston, and Washington, DC. The purpose of the events is to discuss nonprofits&#8217; collective opportunities and challenges as well as the role &#8220;human capital management strategies&#8221; will play in their organizations this year.</p>

<p>Attendees are answering a brief survey on their organizations&#8217; budgets, plans, and 2010 challenges. Survey results will be available on the Commongood Careers website in late February. Early results were handed out at our gathering &#8211; and comparisons between the Bay Area and the other three cities were intriguing.&nbsp; (I don&#8217;t know how statistically valid the data is but the results were fun to look at nevertheless.)</p>

<p>Across the country, respondents said that a &#8220;significantly increased focus to secure gifts from high net worth individuals&#8221; was their number one funding goal in 2010, but the response was much higher from Bay Area nonprofits than from nonprofits in the other three cities.&nbsp; Also according to these preliminary results, in order of priority, after high net worth individuals, Bay Area nonprofits were going to look for corporate partners second, and foundation grants, third.&nbsp; In the rest of the country, all of these funding sources had about the same priority.</p>

<p>The San Francisco gathering included a panel discussion, and several panelists echoed what the survey data showed. BUILD in particular has been successful in changing its mix of funding to have more of an emphasis on individual donors. The social entrepreneurs on the panel were Suzanne McKechnie Klahr (<a href="http://www.build.org" title="BUILD">BUILD</a>), Louise Davis (<a href="http://www.peerhealthexchange.org" title="Peer Health Exchange">Peer Health Exchange</a>), and Jill Vialet (<a href="http://www.playworks.org" title="Playworks">Playworks</a>). These three panelists kept up the enthusiasm in the room by sharing their recent impressive successes and their growth plans for 2010.</p>

<p>The fourth panelist was Anne Marie Burgoyne (<a href="http://www.draperrichards.org" title="Draper Richards Foundation">Draper Richards Foundation</a>), who shared her insights from working with so many Draper Richards grantees (full disclosure: Draper Richards is one of the <i>Stanford Social Innovation Review&#8217;s</i> funders). Anne Marie commented that it didn&#8217;t surprise her that Bay Area nonprofits had a higher focus on pursuing individual donors given the wealth in the region. She also noted that she has seen that foundations are pulling back and choosing to fund what&#8217;s safe. As for corporate funding, Anne Marie said she is observing more partnerships and fewer dollars. She ended by encouraged nonprofits to pass by the &#8220;shiny pennies&#8221; on the road and stay focused on mission and their organizations&#8217; strengths.</p>

<p>Overall, James noted several surprises he had from the survey: that most nonprofits expected their budget and program levels would expand this year and that government was fairly low on the list as a source of funding.</p>

<p>How about your organization?&nbsp; Do you plan to grow your budget and programs this year? What funding balance are you aiming for (looking at individual donors, corporate funding, foundation grants, and government support) and has that balance shifted this year? Is the Bay Area a funding anomaly?</p>

<hr>

<p><img src="http://www.ssireview.org/images/blog/regina_photo.GIF" alt="image" class="photo" width="121" height="121" />Ms. Ridley joined the <i>Stanford Social Innovation Review</i> in 2006 as publishing director. Previously she was group president at CMP Media, where she ran a division of technology publications, events, and websites. Ridley is also founder and board chair of Friends of Timboni Feeder School, a nonprofit that supports a K-5 school in Kenya. She holds a B.A. in political science from the University of Connecticut and a Masters in International Management from the Thunderbird School of Global Management.</p>]]></content:encoded>
      <dc:date>2010-02-03T19:02:27+00:00</dc:date>
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    <item>
      <title>28 Days of Black Nonprofit Leaders: Erica Hunt</title>
      <link>http://www.ssireview.org/site/28_days_of_black_nonprofit_leaders_erica_hunt</link>
      <description>f you run in social justice philanthropy circles, you&#8217;ve probably heard of Erica Hunt, President of the Twenty&#45;First Century Foundation in New York. What you may NOT know is that Erica Hunt is also a marvelous poet.  A woman after my own English major, free verse&#45;loving heart&#8230; (continue reading this blog post)</description>
      <dc:subject>Philanthropy, Foundations, Nonprofits, Nonprofit Leadership, Global Issues, Arts,</dc:subject>
      <content:encoded><![CDATA[<p><i>This post is part of a special series by Rosetta Thurman entitled &#8220;28 Days of Black Nonprofit Leaders.&#8221; In honor of Black History Month, Rosetta will be &#8220;highlighting 28 Black nonprofit leaders who have done or are doing their part to make our world a bit better, a bit more hopeful for the generations that will come.&#8221; </p>

<p>In her introduction to the series on her <a href="http://rosettathurman.com/blog/2010/02/28-days-of-black-nonprofit-leaders/" title="blog">blog</a>, Rosetta writes, &#8220;I love Black History Month because it reminds me of how far we still have to go in this country in terms of race relations and giving everyone a fair chance to take part in the &#8220;American Dream.&#8221; How far we still have to go before Dr. Martin Luther King&#8217;s dream of social justice and economic opportunity for everyone will be realized. Fortunately, there are countless leaders out there who are continuing to address so many aspects of social change.&#8221; The SSIR is proud to publish some of their stories. </i></p>

<p><br />
<img src="http://www.ssireview.org/images/blog/erica-hunt~s200x200.jpg" alt="image" class="photo" width="200" height="196" /> If you run in social justice philanthropy circles, you&#8217;ve probably heard of Erica Hunt, President of the Twenty-First Century Foundation in New York. What you may NOT know is that Erica Hunt is also a marvelous poet.&nbsp; A woman after my own English major, free verse-loving heart.</p>

<p><a href="http://www.21cf.org/about/staff.php" title="From the Twenty-First Century Foundation website:">From the Twenty-First Century Foundation website:</a></p>

<p>Erica Hunt, a leading expert on Black social justice and economic issues, was a Senior Program Officer with the New World Foundation, before joining 21CF in 1998 where she has led new work in the field of Black philanthropy. During her tenure, 21CF has sought to strengthen Black giving and community-based philanthropy through donor education; grant making through donor-advised funds and special national initiatives; and applied research to document trends in Black philanthropy and community impact. Under her supervision, 21CF has grown from an all volunteer organization, to a premier national $8 million public foundation. Hunt holds a B.A. in Literature from San Francisco State University, and is a past Fellow in the Duke University/University of Cape Town Center for Leadership and Public Values. She currently serves as a participant to Diversity and Effectiveness in Philanthropy; the International Working Group on Philanthropy for Social Justice and Peace; and Rye Collaborative National Progressive Foundations. Her past professional leadership affiliations include: the New York Regional Association of Grantmakers; National Center for Black Philanthropy, and the Coalition for New Philanthropy. Hunt, a published author of numerous articles and essays on Black philanthropy, was the 2008 recipient of Spelman College&#8217;s award for National Community Service.</p>

<p><a href="http://writing.upenn.edu/projects/poeticsfellow.php" title="From the Center for Programs in Contemporary Writing at the University of Pennsylvania:">From the Center for Programs in Contemporary Writing at the University of Pennsylvania:</a></p>

<p>Erica Hunt works at the forefront of experimental poetry and poetics, critical race theory, and feminist aesthetics. She has written three books of poetry: Arcade, with artist Alison Saar, Piece Logic, and Local History (Roof Books, 1993). Her published and forthcoming essays include &#8220;Notes for an Oppositional Poetics&#8221; (The Politics of Poetic Form,, ed. Charles Bernstein), &#8220;Parabolay&#8221; (Boundary 2), and &#8220;Roots of the Black Avant Garde&#8221; (Tripwire, forthcoming). Hunt&#8217;s poems can be found in Moving Borders: Three Decades of Innovative Writing by Women (ed. Mary Margaret Sloan), Iowa Poetry Review, and the Virago Anthology of Women&#8217;s Love Poetry. Hunt has also worked as a housing organizer, radio producer, poetry teacher, and program officer for a social justice campaign. She is currently president of The Twenty-First Century Foundation which supports organizations addressing root causes of social injustice impacting the Black community.</p>

<p>See also: <a href="http://writing.upenn.edu/pennsound/x/Hunt.php" title="A complete audio archive of Erica Hunt reading her poetry hosted on the PennSound website">A complete audio archive of Erica Hunt reading her poetry hosted on the PennSound website</a></p>

<p>Photo credit: <a href="http://www.bmorenews.com/business/the-twenty-first-century-foundation-named-a-2008-r.shtml" title="BMoreNews.com">BMoreNews.com</a></p>

<hr>

<p><img src="http://www.ssireview.org/images/blog/Rosetta_Thurman_headshot.jpg" alt="image" class="photo" width="121" height="121" />Rosetta Thurman is a writer, speaker, professor and consultant working and living in the Washington, D.C. area.&nbsp; She holds a Master&#8217;s degree in Nonprofit Management and blogs about nonprofits, leadership and social change at <i><a href="http://www.rosettathurman.com/" title="rosettathurman.com">rosettathurman.com</a></i></p>]]></content:encoded>
      <dc:date>2010-02-03T18:12:34+00:00</dc:date>
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    <item>
      <title>America, Reimagined</title>
      <link>http://www.ssireview.org/site/america_reimagined</link>
      <description></description>
      <dc:subject>Social Innovations, Global Issues, Arts, Civil Society,</dc:subject>
      <content:encoded><![CDATA[<p>PopTech, the vaunted thoughtfest that annually gathers some of the world&#8217;s leading social innovators in the coastal hamlet of Camden, Maine, just wrapped up its 2009 conference after mulling an uncharacteristically, un-global theme: America and the challenges it faces domestically in the early years of this new century.</p>

<p>Called <a href="http://poptech.org/2009schedule" title="America Reimagined">America Reimagined</a>, the conference featured more than 50 artists, writers, musicians, technologists, and social entrepreneurs&#8212;all of whom are creating or leading bold new civic, economic, technological and cultural initiatives in the United States. The sessions were designed to explore how major forces are reshaping the idea of America, its government&#8217;s contract with its citizens, its brand, and its role in the world. &#8220;The thing about the kinds of moments we are living in right now is that they are often filled with conflicting and confusing signals,&#8221; conference curator Andrew Zolli said in opening remarks.&#8221; Is it possible for us as a country, economically and technologically, politically and culturally, to reinvent ourselves?&#8221;</p>

<p>Radio host <a href="http://www.kurtandersen.com/bio.html" title="Kurt Andersen">Kurt Andersen</a>, the author of <i>Reset</i>, a book about America&#8217;s uncertain future, was the first to consider the question, describing the last 25 years of American life as years in which Americans have been &#8220;guilty of magical thinking.&#8221;</p>

<blockquote><p>We took Peter Pan too seriously; we took Bob Dylan&#8217;s lyrics too seriously.&nbsp; We committed to never growing up and we didn&#8217;t. I mean, when did adults start celebrating Halloween? When did people over 12 begin eating ice cream with mashed up cookie dough in it? When did adults start wearing blue jeans and sneakers all the time and watching cartoons? Most decades end after a decade, but the 1980s&#8212;until last year&#8217;s financial meltdown&#8212;just kept going, and kept going, and kept going.</p>
</blockquote>

<p>The point: America has always moved back and forth between economic booms and busts and between the right and left politically. But this moment in time is different, Andersen says. &#8220;It&#8217;s a time when all of these cycles are shifting dramatically and simultaneously; when complacency is forced to end; when outdated structures are being inevitably and necessarily challenged, and when change is rapid and difficult to predict.&#8221;</p>

<p>But Andersen, like many of PopTech&#8217;s other speakers, was optimistic. Andersen said the current economic crisis &#8220;is actually a great opportunity for reinvention and for getting ourselves as individuals and as a nation back on track.&#8221; If reinvention is to occur, however, it will be catalyzed not by today&#8217;s present leaders as much as by the amateurs in society, young people and &#8220;new-thinking baby boomers&#8221; in the grassroots&#8212;people unafraid to take risks, think creatively, and see the world through the lens of possibility.</p>

<p>&#8220;This isn&#8217;t the end of the world,&#8221; Andersen said. &#8220;But the &#8216;80s are over. I&#8217;d like to think we&#8217;re just waking up.&#8221;</p>

<p><b>Among other highlights so far:</b></p>

<ul><li><a href="http://en.wikipedia.org/wiki/Alec_Ross_%28innovator%29" title="Alec Ross">Alec Ross</a>, a senior social media/technology adviser to Secretary of State Hillary Clinton, told conferees about the ion&#8217;s 21st Century Statecraft initiative, uses social media to help nations and leaders empower their citizens and each other. &#8220;If you think of the last eight years of American foreign policy, it was about overpowering others in the world,&#8221; Ross said. &#8220;[We want] to go beyond engaging government-to-government and to connect with people more directly.&nbsp; If Paul Revere were alive today, he wouldn&#8217;t make a ride; he would have just tweeted and the lantern hangers would&#8217;ve retweeted.&#8221; 

Ross said he is launching a new social media initiative with Mexican drug-trafficking authorities that aims to engage citizens in their war on drugs.&nbsp; He described that one of the biggest problems in this conflict is that people fear retaliation if they help out law enforcement.&nbsp; &#8220;So I went [to Mexico]&#8230;and we met with NGOs and with Carlos Slim and we came up with a little system where people are able to email or text gang activity.&#8221; The system anonymizes their emails to prevent retaliation, and the government can use these tips to respond more quickly, and keep people informed about what&#8217;s happening in their anti-drug efforts. &#8220;This is just Chapter One of how we can use technology in statecraft.&#8221;

<li><a href="http://jhfowler.ucsd.edu/" title="James Fowler">James Fowler</a>, the author of the recent book, <i>Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives</i>, told conferees that humans&#8212;like birds and schools of fish&#8212;also tend to act in communities of purpose and suggested that online social networks will amplify these natural social tendencies. Humans have always lived in &#8220;webs of humanity,&#8221; Fowler said, and within these Webs, such physical traits as obesity and behaviors such as smoking tend to spread like viruses. In other words, there is a kind of swarm mentality in social networks, and those people closest to us can affect our behaviors more than we might like to admit. 

But there is an upside.&nbsp; When individuals engage in positive behavior, this also can have a ripple effect on the actions of those of their social networks.&nbsp; &#8220;I recently lost five pounds,&#8221; Fowler said, &#8220;to influence those I loves to do the same. Just think about it, by changing your own behavior, you truly can change the behavior of others.&#8221; Social media can help humans influence their communities and have a large positive impact on the world.

<li><a href="http://www.poptech.org/ericawilliams" title="Erica Williams">Erica Williams</a>, a 20-something Washington, D.C.-based activist working to help broaden the civic engagement of her peers, urged the older PopTech crowd to put away their stereotypes of her generation. &#8220;Call us what you will, the MTV generation, Millennials, the &#8216;us&#8217; generation,&#8221; she said, &#8220;but we are not bored or disinterested; our world view is different.&#8221; At some 300 million strong, she added, today&#8217;s 18-27 year olds &#8220;have the opportunity to re-brand civic engagement&#8221; and reinvent politics. &#8220;My generation doesn&#8217;t like traditional politics,&#8221; she told conferees. &#8220;We are the most ethnically diverse generation that America has ever had. We are post-racial. We came up at a time with 9-11, fighting two wars and a gap between the haves and have-nots that we haven&#8217;t seen since the Gilded Age&#8212;and a &#8220;me&#8221; generation that was many of our parents. So we distrust &#8216;politics as usual.&#8217; It hasn&#8217;t worked.&#8221;&nbsp; In the absence of top-down reform, Williams said her generation will always work beyond traditional avenues to get things done, bypassing candidates who don&#8217;t deliver, and mobilizing young people directly. &#8220;We are re-branding what it means to be politically engaged,&#8221; she said.

<li>Malaysian singer/songwriter <a href="http://www.poptech.org/zeeavi" title="Zee Avi">Zee Avi</a>, discovered on Twitter, performed several songs she wrote, her fresh lyrics and full-sounding acoustic guitar underscoring the influence that American popular culture has had on the rest of the world. At one point during her performance, PopTech attendee and Personal Democracy Forum cofounder Micah Sifry, tweeted favorably: &#8220;Zee Avi, Malaysian singer, sounds like she&#8217;s from Northampton, Mass. Is world getting too small?&#8221;</ul>

<hr>

<p><br />
<img src="http://www.ssireview.org/images/blog/StepanekHeadShot_thumb.jpg" alt="image" class="photo" width="96" height="128" /><i>Marcia Stepanek is Founding Editor-in-Chief and President, News and Information, for <a href="http://contributemedia.com" title="Contribute Media">Contribute Media</a>, a New York-based magazine, Web site, and conference series about the new people and ideas of giving. She is the publisher of </i><a href="http://causeglobal.blogspot.com" title="Cause Global">Cause Global</a><i>, an acclaimed new blog about the use of digital media for social change. She also serves as moderator and producer of </i>New Conversations for Change<i>, Contribute&#8217;s forum series highlighting social entrepreneurs and new trends in philanthropy.</i></p>

<p>&nbsp;</p>]]></content:encoded>
      <dc:date>2009-10-29T21:50:48+00:00</dc:date>
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    <item>
      <title>Speaking YouTube</title>
      <link>http://www.ssireview.org/site/speaking_youtube</link>
      <description></description>
      <dc:subject>Global Issues, Arts, Civil Society,</dc:subject>
      <content:encoded><![CDATA[<p>YouTube contains a lot of content: according to cultural anthropologist Michael Wesch some 20 hours of new video is uploaded to YouTube every minute. But all of it represents a new form of cultural literacy, Wesch says&#8212;a new language of shared images and intensely personal revelations that can be used to connect people in new ways and, perhaps, even get them to care more about each other.</p>

<p>As a professor of introductory anthropology at Kansas State University, Wesch says he has a &#8220;front row seat&#8221; from which to watch new cultural trends emerge from the youngest adult generation, and for the past two-and-a-half years, Wesch has been inviting his students to help him analyze the vast YouTube community.</p>

<p>After trawling through mega-gigs of content, watching hours of videos and posting videos of their own, Wesch says, he and his students &#8220;are finding that the same conditions of ease and anonymity that enable people to get snarky online&#8221; can also encourage them to participate in meaningful and collaborative new projects. In fact, he&#8217;s discovered that YouTube and social media can mitigate the cultural tension between teens&#8217; conflicting needs for independence and community by offering them &#8220;connection without constraints.&#8221; What looks like narcissism and individuality is actually a search for identity and recognition, Wesch told the digerati attending this week&#8217;s Personal Democracy Forum in Manhattan. &#8220;In a society that doesn&#8217;t automatically grant identity and recognition, you have to create your own.&#8221;</p>

<p>Wesch says he&#8217;s hopeful that social media will ease the &#8220;narcissistic disengagement&#8221; of many young people and encourages them to be more politically and civically engaged. Already, he says, some heroes have emerged&#8212;including the anonymous YouTube character  who <a href="http://www.youtube.com/watch?v=vr3x_RRJdd4" title="filmed himself giving hugs">filmed himself giving hugs</a> to strangers in the streets, and One World, the person who wore a Guy Fawkes mask and used his anonymity as a platform for collaboration, asking people to write messages on the palms of their hands and to hold them up to their Webcams for sharing. Millions of people <a href="http://www.youtube.com/watch?v=Z-BzXpOch-E" title="shared this way">shared this way</a>, mostly about the need to love one another and to look beyond themselves.</p>

<p>&#8220;When I&#8217;m using a Webcam,&#8221; Wesch explains, &#8220;I&#8217;m not talking to you, I&#8217;m talking to it. When you&#8217;re Twittering, you&#8217;re not talking to me, you&#8217;re talking to it. Or when I&#8217;m on Facebook, I&#8217;m not talking to you, I&#8217;m talking to it.&#8221; The point, says Wesch: When communicating face-to-face, people bring many different versions of themselves into a conversation based on the context of that conversation. &#8220;But when you&#8217;re sitting in front of a camera, or twittering to hundreds if not thousands of people in a community who you cannot see and who cannot see you, you don&#8217;t know who you are talking to or when or in what context, and so [communication via social media] it is forcing a kind of context collapse&#8212;a deeper level of self-awareness not present in simple, everyday conversation. People can get deeply self-reflective on YouTube and confessional&#8230;and reveal things they would otherwise refuse to reveal, even to their family and close friends.&#8221;</p>

<p>Wesch urged the journalists, techno-geeks, business developers, and academicians attending the PDF conference to start thinking of YouTube as a new kind of public sphere, where new types of conversations and forms of communication can occur. &#8220;The YouTube debates [during last year&#8217;s presidential election] were flawed in that they allowed TV to dictate that conversation,&#8221; Wesch says. &#8220;We have an opportunity, on YouTube and with other social media, to create a whole new groundwork for the way these [civic] conversations work.&#8221;</p>

<p>Wesch then challenged attendees to help the culture move away &#8220;from its current state of &#8216;whatever, I don&#8217;t care&#8217; ...to one in which we can say &#8216;I care, let&#8217;s do whatever it takes by whatever means necessary.&#8217;&#8221;</p>

<p>Wesch connected: attendees stopped tweeting long enough to give him a standing ovation.</p>

<p>For more about Wesch and his observations about the cultural signifiance of social media, see <a href="http://www.youtube.com/watch?v=TPAO-lZ4_hU" title="the lecture">the lecture</a> he gave last summer at the Library of Congress.</p>

<hr>

<p><br />
<img src="http://www.ssireview.org/images/blog/StepanekHeadShot_thumb.jpg" alt="image" class="photo" width="96" height="128" /><i>Marcia Stepanek is Founding Editor-in-Chief and President, News and Information, for <a href="http://contributemedia.com" title="Contribute Media">Contribute Media</a>, a New York-based magazine, Web site, and conference series about the new people and ideas of giving. She is the publisher of </i><a href="http://causeglobal.blogspot.com" title="Cause Global">Cause Global</a><i>, an acclaimed new blog about the use of digital media for social change. She also serves as moderator and producer of </i>New Conversations for Change<i>, Contribute&#8217;s forum series highlighting social entrepreneurs and new trends in philanthropy.</i></p>

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      <dc:date>2009-07-06T17:20:12+00:00</dc:date>
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      <title>Technology&#8217;s Positive Impact on Human Rights</title>
      <link>http://www.ssireview.org/site/a_web_20_to_embrace</link>
      <description>The author details a Web that tells stories and exposes human injustice and trauma rather than gossip</description>
      <dc:subject>Global Issues, Human Rights, Arts, Civil Society,</dc:subject>
      <content:encoded><![CDATA[<p>In a world where we post our trivia on twitter, incriminating photos on Facebook, and embarrassing videos on YouTube, can truly horrible stories of human rights violations still grab our attention? Our horror? And the shame necessary to drive change?</p>

<p>And when the perpetrator of the crime smiles and waves at the camera during the act, does their &#8220;You know that I know that you are watching while I get my 15 seconds of fame&#8221; attitude make a video game of the whole episode?</p>

<p>Trevor Paglen, author, artist, journalist and experimental geographer, opened the <a href="http://hrc.berkeley.edu/events/newmachineconference/" title="Conference on Human Rights, Technology, and New Media">Conference on Human Rights, Technology, and New Media</a> at Berkeley on May 4th with these powerful questions.</p>

<p>Trevor&#8217;s controversial and thought-provoking pessimism about the continued success of the mobilization of shame to change policy and practice was offset by the good news throughout the rest of the conference&#8211;examples abounded of technology&#8217;s positive impact on human rights. </p>

<p>Some of these examples are:</p>

<ul>

<li>Trevor&#8217;s now <a href="http://www.paglen.com/pages/projects/CIA/black_sites.html" title="famous photo of a CIA black site">famous photo of a CIA black site</a> provided evidence of a secret government detention architecture. Using public records, mapping visualization, GPS systems, interviews, and dogged determination, Trevor tracked down the location of this site and took the controversial photograph.</li>

<li>Yvette Alberdingk Thijm of <a href="http://www.witness.org/index.html" title="WITNESS">WITNESS</a> described how their program empowering locals to document human rights violations in film has actually reduced voluntary recruitment of child soldiers in the Eastern Democratic Republic of Congo and has contributed to the prioritization of this issue at the international level. With today&#8217;s video and internet technologies, anyone can be a witness and documenter.</li>

<li>David Sasaki of <a href="http://globalvoicesonline.org/" title="Global Voices">Global Voices</a> described the many internet tools he uses to build an online blogging community of over 150 voices from the developing world covering issues that mainstream media often ignore. Internet applications such as Google groups, Google reader, Google docs, delicious, wikis, basecamp, Doppler, freshbooks and mind42.com makes it easy to build and maintain their virtual community.</li>

<li>Judith Dueck of <a href="http://www.huridocs.org/" title="Huridocs">Huridocs</a> detailed the database and search capabilities they provide to allow massive amounts of victim, perpetrator, and event data to be mined. Standardizing the structure and vocabulary of human rights turns the tons of boxes of data into actionable information for stopping the violations.</li>

<li>Peggy Weil of the USC School of Cinematic Arts gave a fascinating example of raising awareness of torture through an immersive experience in Second Life. Working with Nonny de la Pena, her team created <a href="http://www.youtube.com/watch?v=QT7p231Cfxk" title="GoneGitmo">GoneGitmo</a>, a Second Life experience that takes a viewer&#8217;s avatar through the experience of Guantanamo. Depending on how closely you identify with your avatar, the experience of being bound, head-covered, and interrogated can be quite terrifying.</li>

</ul>

<p>Rather than feeling technology and media weary after seeing gadgets worthy of James Bond (the BUG4GOOD mobile device was especially cool), rather than seeing games and social networks as corrupting influences on our youth, these technologies and media made me feel optimistic.</p>

<p>For collection of information, we have modern technologies such as satellite images, GPS, GIS, and ubiquitous phones, cameras and SMS. For simplifying analysis, we have data visualization, DNA analysis, collaborative online conversations, and data mining, for example. And for promoting awareness we have fun technologies such as games, films, and multi-media campaigns.</p>

<p>So we can use social networks not to expose personal embarrassments but to expose crises. We can create communities for sharing stories of trauma not gossip. And we can create learning and immersive experiences for deeply feeling and walking in someone else&#8217;s shoes rather than avoiding reality. And perhaps then we can drive the change that is needed. </p>

<p>This sounds like a Web 2.0 to embrace.</p>

<hr>

<p><img src="http://www.ssireview.org/images/ads/Ginas_headshot_thumb.JPG" class="ad" alt="Advertisement" width="114" height="76" /><i>Gina Klein Jorasch Gina Klein Jorasch is currently Senior Advisor to the Center for Social Innovation at the Stanford Graduate School of Business. Gina was a founder or early-stage executive at five for-profit tech start-ups, all of which had successful IPOs or acquisitions, and a founding board member for two nonprofit startups.</i></p>

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      <dc:date>2009-05-07T19:24:20+00:00</dc:date>
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