Scaling Play
KaBOOM! How One Man Built a Movement to Save Play by Darell Hammond
20Under40: Re-Inventing the Arts and Arts Education for the 21st Century Edited by Edward P. Clapp
In Rwanda, Radio La Benevolencija uses soap operas to heal ethnic tensions. Listeners who tune into a weekly show about feuding ethnic groups are more likely than non-listeners to stand up to authority and to voice their own opinions.
LOOKING FOR THE LIGHT: The Hidden Life and Art of Marion Post Wolcott by Paul Hendrickson
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During its first 10 years, Creative Capital has pumped $14 million into 324 projects from a range of artistic disciplines. But Creative Capital doesn’t just fund projects, it builds careers.
Photographer Toni Greaves recently traveled to the Czech Republic to document the work of organizations such as Sports Without Barriers, which equips disabled children to participate in sports.
Artists, musicians, writers, and other creative types are asking the public to underwrite their dreams via an online fundraising platform.
The fine arts in America are on a perilous path. Attendance at opera, theater, jazz, symphony, and ballet performances has dropped precipitously in recent decades. Just as worrisome, the median age of people attending these events has increased dramatically. If the fine arts are to survive as a living, creative, and significant force in American life, arts institutions need to radically recreate themselves.
Freelance workers, whose numbers are growing, are left without health insurance, a retirement plan, or a work community. The Freelancers Union meets these needs.